Scaler (formerly Scalping) have partly built their reputation on intense and immersive performances and while nothing could have prepared me for that first experience of seeing them live, I’ve continued to be blown away by their raw visceral energy. They manage to transfer that power to their recorded output too.
Debut album Void was released in 2022 and now, three years on, the Bristol quartet return with Endlessly (Black Acre, Sept 26), a more expansive and collaborative work. Endlessly was recorded in the basement studio of local Bristol venue The Louisiana and references the city’s musical heritage, drawing on elements of everything from trip-hop, DnB and experimental electronica, to pupil-dilating techno, metal and drill, refracting those influences through the band’s industrial lens
Endlessly is also an album made to be experienced in its entirety, not just dipped into here and there. That’s how you’ll trace its journey, starting in familiar territory before pushing into new and surprising spaces before retreating again. Temperature-wise, this album takes us from ice-cold to sweaty heat and back again.
The first track quiet when it speaks feels like a natural starting point with familiar Scaler industrial textures and a tense, cinematic, Bladerunner-esque feel. Sounds echo and crackle, rebounding off harsh surfaces. This flows into Salt, the first of several collaborations that brings a new, softer dimension to Scaler’s work as Akiko Haruna’s spectral vocals call out and weave through percussive layers. Broken Entry retreats back again to a heart-pounding, metallic and hostile world, as does Cold Storage which is, as the title suggests, an ominous sounding number radiating textural bleeps while muffled human sounds reach out to you through a fog.
Two expressive and emotive collaborations shine: Mirage, was written for Art School Girlfriend – a lush, seductive and measured track, with its emphasis on the soft vocals and lyrics, “falling endlessly into visions of you. Cross the stream of life, stuck in the new’. And previously released as a single, Evolve breaks into dance-floor euphoria with vocals by Tlya X An, a Bristol-based artist whose vocal harmonies create an almost pop-inflected lift.
Another banger radiating a blissful energy and made for the dance-floor is Sinking In; a strongly visual number that leads you into its core in order to abandon you, leaving you disorientated; it’s a swampy, sweaty number propelled by drum beats and a slick bassline.
The collaborations have enhanced Scaler’s sound in unexpected ways. As band member Isaac-Jones notes, “When you work closer with other artists, they take the lead more, so you’re much more open to letting go of things that you’d usually hyper-fixate on.” That willingness to loosen control is a key change, allowing the record to radiate warmth without sacrificing intensity.
Band member James Rushforth is quoted as saying: “This record is kind of the one we wanted to make the whole time”. Endlessly proves that Scaler have a lot more ideas up their sleeve and I’m glad they got to make it.
Scaler Endlessly Black Acre, release date Sept 26
bandcamp/endlessly
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