About

Welcome…

The New eaves on stage at end of the road-on stage at 2025 ©o.rosen
The New Eves, End of the Road festival

Thank you, one and all, for mak­ing 2025 our best year yet, with more vis­i­tors and views than ever. Your sup­port is very much appre­ci­at­ed, we hope you enjoy read­ing our reviews and rec­om­mends. We hope to car­ry on next year lis­ten­ing to new and emerg­ing artists, sup­port­ing local grass­roots venues, and fes­ti­vals, espe­cial­ly new and inde­pen­dent ones, try­ing to sur­vive in today’s dif­fi­cult eco­nom­ic climate.

Check out our Indoor Music Fes­ti­val guide which has of events to see you through till the end of May. We have to sad­ly accept that Blue­dot fes­ti­val, Black Deer and a few oth­ers won’t be hap­pen­ing this year. And it’s gut­ting to hear that Solfest has gone into admin­is­tra­tion (read here). But there are one or two good­ies mak­ing a return such as WOMAD.

Pho­tos below of a great Q&A with Chris Dif­ford, Glenn Tilbrook and their bass play­er Oliv­er Bid­dle, to hear tracks from upcom­ing album Trix­ies. The songs were com­posed when the Squeeze guys were in their teens. This ear­ly mate­r­i­al is in the form of a con­cept album about a fic­ti­tious night­club. Very Run­y­onesque – which is where the inspi­ra­tion came from. The album is out March 6th.

Grassroots Venue Watch…

As always, a note about grass­roots venues.. Music Venue Trust (MVT), the char­i­ty which rep­re­sents hun­dreds of Grass­roots Music Venues (GMVs), has called upon politi­cians from all par­ties to “seize the moment” and to help save the sec­tor from the deep­en­ing cri­sis. It has pub­lished a report enti­tled ‘A Man­i­festo for Grass­roots Music’, which sets out the steps that need to be tak­en in order to stem the clo­sures of GMVs, cur­rent­ly run­ning at more than one per week, and to bring sta­bil­i­ty to the sector.

I’ve been vis­it­ing more of our grass­roots venues and have recent­ly been to Future Yard in Birken­head, a love­ly and very friend­ly space with a good bar, out­side area and tasty look­ing piz­zas! Also The Drill in Lin­coln. The Drill is a large space with a wide, low stage and a lot of his­to­ry to it. Good to see these venues thriving.

Our history

Gourmet Gigs began on June 3 2012 at Field Day fes­ti­val in Vic­to­ria Park where I saw the elu­sive Mazzy Star, review here. My first fes­ti­val was Bux­ton ‘Pop’ Fes­ti­val, in 1972, with DJ John Peel. It took place on a freez­ing cold moor. I remem­ber Roy Wood run­ning along the top of the stage. Or am I imag­in­ing that? We parked our tiny two-man tent on rocky ground almost in front of the stage. It was a life-chang­ing expe­ri­ence that set me up for a life­time of fes­ti­vals – although today’s metic­u­lous­ly organ­ised events are a very dif­fer­ent beast.

Please write for us…

Get in touch if you’d like to rec­om­mend bands, DJs, gigs, new releas­es, fes­ti­vals or venues. And also if you’d like to con­tribute and offer a guest blog piece – the chances are that we’ll say yes. Emails are checked on a dai­ly basis.

You can help Gourmet Gigs too…

The site is man­aged main­ly by me plus occa­sion­al guest writers. 

Please sup­port the site run­ning costs by giv­ing us a heads up on socials, mes­sag­ing and gen­er­al­ly spread­ing the word.

And… a big thank you to our guest bloggers.

Affiliate links…

We have a (very) few affil­i­ate links on the site for tick­et pur­chas­es. If there’s a gig you fan­cy, please sup­port us and click through our tick­et link. It costs you the same… and it helps us to keep going. Thank you!

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4 thoughts on “About

  1. I have and now need to upgrade a Nikon d40 a basic 6mp cam­era and it has improved my life great­ly, even going upto a 10mp will make no dif­fer­ence as the sen­sor is exact­ly the same,and we all know that Mpix­els are only to do with how big yr blow­ing up an image,for blog­ging it’s not need­ed. before my nikon (Baby) i used a sim­ple Fuji film s1000 and as you may see with my Kit­ty Daisy and Lewis pics they’re the best I’ve tak­en no cred­it to nikon.. it real­ly is impor­tant NOT to use flash,as I’m sure you prob know? hope this helps 🙂

    1. Total­ly agree about no flash, for many rea­sons. I decid­ed to get a good point and shoot, as wield­ing an SLR around at gigs, if you aren’t there as a pho­tog­ra­ph­er, I found to be annoy­ing and can detract from enjoy­ment of the gig. I got the Canon XS240 and it’s a love­ly lit­tle cam­era (12mp and 20x zoom) but so far my results (on King Charles, from Tier 1) are not exact­ly to be com­mend­ed! iphone can work just as well. Love those pics of Kit­ty Daisy and Lewis!

  2. Thanks for your com­ments. I think cap­tur­ing the atmos­phere is the main thing. And if the pho­tos don’t work out too well I still think it’s bet­ter to have some­thing on the page rather than noth­ing. I pre­fer to take pho­tos at fes­ti­vals, you can usu­al­ly get clos­er to the stage, and there’s the oppor­tu­ni­ty for ran­dom shots. Have you decid­ed what cam­era to get?

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