Welcome…

Thank you, one and all, for making 2025 our best year yet, with more visitors and views than ever. Your support is very much appreciated, we hope you enjoy reading our reviews and recommends. We hope to carry on next year listening to new and emerging artists, supporting local grassroots venues, and festivals, especially new and independent ones, trying to survive in today’s difficult economic climate.
Check out our Indoor Music Festival guide which has of events to see you through till the end of May. We have to sadly accept that Bluedot festival, Black Deer and a few others won’t be happening this year. And it’s gutting to hear that Solfest has gone into administration (read here). But there are one or two goodies making a return such as WOMAD.
Photos below of a great Q&A with Chris Difford, Glenn Tilbrook and their bass player Oliver Biddle, to hear tracks from upcoming album Trixies. The songs were composed when the Squeeze guys were in their teens. This early material is in the form of a concept album about a fictitious nightclub. Very Runyonesque – which is where the inspiration came from. The album is out March 6th.


Grassroots Venue Watch…
As always, a note about grassroots venues.. Music Venue Trust (MVT), the charity which represents hundreds of Grassroots Music Venues (GMVs), has called upon politicians from all parties to “seize the moment” and to help save the sector from the deepening crisis. It has published a report entitled ‘A Manifesto for Grassroots Music’, which sets out the steps that need to be taken in order to stem the closures of GMVs, currently running at more than one per week, and to bring stability to the sector.
I’ve been visiting more of our grassroots venues and have recently been to Future Yard in Birkenhead, a lovely and very friendly space with a good bar, outside area and tasty looking pizzas! Also The Drill in Lincoln. The Drill is a large space with a wide, low stage and a lot of history to it. Good to see these venues thriving.
Our history
Gourmet Gigs began on June 3 2012 at Field Day festival in Victoria Park where I saw the elusive Mazzy Star, review here. My first festival was Buxton ‘Pop’ Festival, in 1972, with DJ John Peel. It took place on a freezing cold moor. I remember Roy Wood running along the top of the stage. Or am I imagining that? We parked our tiny two-man tent on rocky ground almost in front of the stage. It was a life-changing experience that set me up for a lifetime of festivals – although today’s meticulously organised events are a very different beast.
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I have and now need to upgrade a Nikon d40 a basic 6mp camera and it has improved my life greatly, even going upto a 10mp will make no difference as the sensor is exactly the same,and we all know that Mpixels are only to do with how big yr blowing up an image,for blogging it’s not needed. before my nikon (Baby) i used a simple Fuji film s1000 and as you may see with my Kitty Daisy and Lewis pics they’re the best I’ve taken no credit to nikon.. it really is important NOT to use flash,as I’m sure you prob know? hope this helps 🙂
Totally agree about no flash, for many reasons. I decided to get a good point and shoot, as wielding an SLR around at gigs, if you aren’t there as a photographer, I found to be annoying and can detract from enjoyment of the gig. I got the Canon XS240 and it’s a lovely little camera (12mp and 20x zoom) but so far my results (on King Charles, from Tier 1) are not exactly to be commended! iphone can work just as well. Love those pics of Kitty Daisy and Lewis!
and it’s about what you see or what do you think the reader likes to look at in a photo
Thanks for your comments. I think capturing the atmosphere is the main thing. And if the photos don’t work out too well I still think it’s better to have something on the page rather than nothing. I prefer to take photos at festivals, you can usually get closer to the stage, and there’s the opportunity for random shots. Have you decided what camera to get?