The sun blazed down on Kaleidoscope festival 2025 at Alexandra Palace, on one of the hottest days of the year. Annual one-day event Kaleidoscope has been designed to offer something for everyone – and as a family-friendly festival, you could say it delivers.
For those visiting north London’s “Ally Pally” for the first time, the palace on the hill and its parkland with grassy slopes makes for an awe-inspiring sight. Kaleidoscope’s crown jewel is the Main Stage, set on the slope with views of the London skyline behind with landmarks like The Shard glittering against the clear blue sky. Best of all, no ducking and diving is required in order to get a clear view of the main stage act – sit at the top of the slope and you’ll be able to see everything.
There’s a large fenced-off area for children with some activities under cover (very welcome considering the 30-degree heat), a theatre performance tent, face painting, The World’s Tallest Bubbleologist – and plenty of room for kids to just career around excitedly.
At one end of Alexandra Palace, the terrace outside the Phoenix pub is transformed into Cloud 10, a dance arena that seemed to be permanently packed, featuring a steady stream of DJs and with a good many ex-ravers present, recalling good clubbing times and dressed for the occasion. The Ibiza style weather helped too. This year’s DJ lineup included DJ Spoony and Eat Everything, keeping the energy high throughout the day.






Set in the grounds, a smaller and more intimate second stage called the Fringe was in operation. I caught part of a set by North London steel band Pan Nation and a couple of well-received comedy acts – an amusing but not very child-friendly turn (cover your ears!) by Andrew Maxwell, and Shappi Khorsandi who shared some wry observations of life as a post-menopausal woman. Most of her commentary about declining sex drive was met with laughs by the women present, not so much by the men.
The main stage opened with a rousing performance by the R Voices Choir, who were also first on stage last year. Their inclusive ethos – anyone can join their choirs – adds a refreshing community spirit to the event. And Kaleidoscope makes sure their lineup has a female/male balance.
Britpop is on revival mode and Sleeper, fronted by the ever-charismatic Louise Wener, were part of that movement. Their set was a reminder of just how many hits they have in their back catalogue, such as Sale of the Century and Inbetweener and it was a real thrill to see them and appreciate all over again just how good they were. Louise dedicated Delicious to all the women in the crowd.



While I was initially unsure about the wisdom of including a DJ on the main stage, Sara Cox proved me wrong. Her set was a crowd favourite – full of disco classics and a perfectly curated tracklist that had everyone dancing and singing along.
Goldie hit the stage next with a set that reminded everyone why he’s a drum and bass legend. And to round off the night in peerless fashion were dance supremos Faithless. Performing without the iconic Maxi Jazz can’t be easy but Sister Bliss and the crew handle it with grace and power. Maxi’s spirit was everywhere, especially during Insomnia, when his image lit up the screens. It was an emotional moment.
A brief power outage about a third of the way through was the only hiccup in what was otherwise a spectacular evening and the lasers beaming out from the stage and the euphoric crowds dancing all combined to create a stunning finale.
One criticism is that the main-stage lineup is a bit thin (only five acts in total on that great stage – come on Kaleidoscope, give us more!). However this day festival continues to be a great family friendly summer event, making the most of the palace and its grounds. And with the perfect weather and a relaxed atmosphere, this year’s Kaleidoscope was one to remember.
Kaleidoscope festival 2026 tickets on sale soon


