Favourite albums of 2025

This year has pro­duced a boun­ty of rich­es of incred­i­ble vari­ety and wild imag­i­na­tion, com­menc­ing in Jan­u­ary with a top­i­cal­ly suit­able release by Brid­get Hay­den called Cold Blows the Wind, before mov­ing on to the sun­ny sounds of Divorce (if that does­n’t sound too odd). And there’s a bit of a Bru­tal­ist theme going on…

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Animal Collective release original soundtrack for documentary Jetty via Domino Soundtracks

Tex­tur­al and atmos­pher­ic, Ani­mal Collective’s Deakin and Geologist’s orig­i­nal sound­track to the 2025 doc­u­men­tary Jet­ty has just been released by Domi­no Sound­tracks. The sound­track is avail­able dig­i­tal­ly, with a vinyl release set for April 17th.  Jet­ty is a new non­fic­tion film by Sam Fleis­chn­er (Stand Clear of the Clos­ing Doors, Wah Do Dem and he also has cre­at­ed music videos…

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Animal Collective celebrate 20th anniversary of Feels

Ani­mal Col­lec­tive are hav­ing a busier year than usu­al – as well as sin­gle releas­es Love on the Big Screen and Bud­dies on the Black­board, they will cel­e­brate the 20th anniver­sary of their land­mark sixth stu­dio album Feels with two new lim­it­ed-edi­­tion for­mats via Domi­no: Feels 20th Anniver­sary is a reis­sue of the orig­i­nal album with a bonus disc…

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Animal Collective reveal Love on the Big Screen

Some­thing joy­ful this way comes from Ani­mal Col­lec­tive. The new sin­gle called Love on the Big Screen came out last week, via Domi­no, and there’s a spe­cial lim­it­ed-edi­­tion 7‑inch sin­gle fea­tur­ing the B‑side Bud­dies On the Black­board set to be released on August 1st. Both tracks were pro­duced by Avey Tare and Adam McDaniel, engi­neered and mixed by McDaniel…

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Panda Bear new track release Virginia Tech

Some­thing that press­es all our but­tons is Pan­da Bear’s new track Vir­ginia Tech, pre­vi­ous­ly only released on the B‑side of the 7‑inch of Sin­is­ter Grift’s lead sin­gle Defense. It’s a rich slab of psy­che­del­ic throw­back gor­geouse­ness fea­tur­ing Pan­da Bear’s dis­tinct­ly lay­ered vocals, a mes­meris­ing drum line and even a euphor­ic sitar-like wig-out at the end. It’s…

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