Review: Bluedot 2019: a space celebration

If the sci­en­tists at Jodrell Bank could put their col­lec­tive heads togeth­er, it would be per­fect if they could find a way of tele­port­ing us back to the fields of Blue­dot in order to do the fes­ti­val all over again. That way it might be pos­si­ble to expe­ri­ence the stuff you’d missed first time round.…

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Green Man festival 2017 review

This year was the 15th anniver­sary of Green Man, the bucol­ic fes­ti­val set in the Bre­con Bea­cons. It is – since the demise of Big Chill – my favourite fes­ti­val venue, with its lush moun­tain­ous set­ting and main stage framed dra­mat­i­cal­ly by the Black Moun­tains. For those short of stature (like myself), you’ll always have…

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The Orielles added to Heavenly Weekender at The Trades

Great news: young West York­shire three-piece The Orielles have just signed to Heav­en­ly record­ings. The band – Esme Hand Hal­ford on bass, sis­ter Sidonie on drums and Hen­ry Wade on gui­tar, are known for their lush garagey sun-drenched sound  – a Cal­i­forn­ian vibe by way of Hal­i­fax (the Cal­i­fax sound, per­haps). Since the band got togeth­er they’ve been gigging…

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The End Festival 2015: opening weekend

The End Fes­ti­val is at the half-way mark, and so far it’s been an enjoy­able, if slight­ly chaot­ic, expe­ri­ence, with a dai­ly ros­ter of bands appear­ing at venues around Crouch End. Open­ing night at Earl Haig fea­tured Ice­landic out­fit YLJA (they are appear­ing twice more over the fes­ti­val’s dura­tion) and are notable for their crystalline…

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