Kaleidoscope Festival Alexandra Palace, now in its 6th year, has become something of a local summer institution, especially with families. Could a day festival ever be in a better location? Well done to the Victorians for building the palace and creating such a festival-friendly site.
The main stage, perched upon Ally Pally’s grassy slope, means you get an uninterrupted view of the stage without having to swerve the 6‑footer in the silly hat in front of you. Or you can just contemplate the London skyline that frames the stage. Just how close does The Shard look? A cordoned-off area houses the kids’ section; it’s almost a mini festival in itself with a bubbleologist, fun science, Punch & Judy, circus skills and more. The activities were under cover during what turned into another scorching day.



Rather than focusing on a single genre, Kaleidoscope once again embraced its “something for everyone” philosophy with a varied and crowd-pleasing main stage lineup. An huge, infectiously exuberant choir called Some Voices squeezed onto the stage to deliver rousing renditions of crowd favourites like Proud Mary early in the afternoon. Later, Black Grape proved they have lost none of their swagger, with Shaun Ryder and Kermit in fine form as they seamlessly powered through a set that stretched from opener In the Name of the Father to the anthemic Kelly’s Heroes.
Dance music fans were particularly well catered for this year. Garage originator Wookie plus a roster of DJs presided over the Cloud 10 dance stage – including a particularly lush early afternoon set by Roni Size. Later, Groove Armada, previous main-stage headliners, took to the decks to entertain the packed-out dance space. By this time crowd control was in operation. Given the stage’s popularity, expanding the space for next year’s festival would be a welcome move. Over on the Fringe stage, Bez’s Acid House Experience continued with the dance theme. Bez’s natural charm drew in a sizeable crowd for a fun atmosphere and even a singalong to Three Lions and other World-Cup related anthems.



Rarely open to the public, the atmospheric Victorian Basements hosted ghost stories during the day while later on the space morphed into the venue for a secret party with soundsystem, strobes and more. Posters pinned up around the site listed a phone number that revealed the secret set’s location, old-school style. Some festival goers got the message: what looked like an entire school sixth form plus several mums packed out the dimly lit cellars and danced with abandon to an uplifting set by Utah Saints.
Rudimental closed the main stage while Ally Pally’s capacious West Hall prepared for the night’s second headliners featuring Kane, Bellingham and the rest of the boys as the World Cup quarter final kicked into action.
Kaleidoscope festival, July 11th 2026


