There seems to be no stopping Sparks who have just added to their prolific output with a new EP called MADDER!, a extension of the recent MAD! album.
The Mael brothers have described the birth of this new work: “Not wanting the Mad!ness to end and buoyed by the phenomenal reaction to MAD!, we made a hasty but intense retreat to the studio to record a Sparks first: an EP. MADDER!, a four-song companion piece to the album, is for everyone who isn’t yet MAD! enough. We hope these new songs will take you to an even MADDER! place.”
The first track is Porcupine, a very typical Sparks composition with the synth bubbling away and equally well-defined harmonies. The lyrics are all about a man’s fascination with a woman with a prickly personality and there’s a catchy chorus that is difficult to refrain from singing along with.
Accompanying the Mael brothers on the brilliantly humorous video for Porcupine is Self Esteem, playing the prickly woman… and when the steamroller enters, you can guess where this is all going to end up.
The other tracks are Fantasize, Mess Up and They, with the new material in the same spirit of the MAD! album. The third track Mess Up is particularly clever, a dramatic song that leans heavily on Sparks’ talent for musical theatre combined with delicious harmonies. Lyrically it presents a series of grim life scenarios, including the ‘heavy right fist’ on the album cover. It’s a track that seethes with tension.
The EP closes with the moody, slow-tempo track They, a richly orchestrated piece that starts with a gently strummed guitar. The Mael brothers leave to one side the bouncy and bubbling compositions that permeate much of their work and delve into something thoughtful and measured, to supreme effect. The lyrics lament audiences who never quite get their fill and are just not satisfied. It’s a track about disappointment all round and behind that, despair.
Will Sparks play this live? The idea of anyone leaving a Sparks performance feeling short-changed feels almost impossible, making this a somewhat amusing conclusion to Madder! However as a metaphor for misery and disappointment in life, this song nails it .


