Magnetic Skies remix ‘Closing In’ – out now

Hav­ing been fans of Mag­net­ic Skies since their ear­li­est releas­es, we’re always keen to hear what the band does next. Their lat­est offer­ing is a new remix of Clos­ing In, a stand­out track from their sopho­more album Frag­ments, released last year. Already a dark and atmos­pher­ic piece, Clos­ing In has been reimag­ined with even greater intensity,…

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Review: Hue And Cry deliver their 16th album: Everybody

Scot­tish pop duo Hue And Cry release their 16th stu­dio album: Every­body on May 29. Broth­ers Greg and Pat Kane, who ini­tial­ly rose to fame in the 80s with Labour of Love (and their debut album Seduced and Aban­doned) are back with a set of songs that prove their abil­i­ty to con­tin­ue to shapeshift and…

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Bearded Theory 2026 Sunday photo gallery: Lynks, Wildhearts, Garbage

It’s a tra­di­tion: The Bar-Stew­ard Sons of Val Doon­i­can must com­mence Sun­day’s pro­ceed­ings. This year not one, but two boats sailed out across the crowds. There was lots to get excit­ed about on the music front: Au Pairs, GANS, Neville Sta­ple, New­dad, Lynks, The Twi­light Sad, Basht., The Wild­hearts and Garbage. All mak­ing this one…

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Fat Dog – new single Go F*** Urself plus UK tour

Out now is Fat Dog’s new sin­gle Go F*** Urself, on Domi­no Records. The song is unveiled just in time for fes­ti­val sea­son, join­ing the rest of the Fat Dog canon of par­ty bangers. There’s a boun­cy 80s pop thread run­ning through it with propul­sive beats while vocal­ist Joe Love intones the som­bre vocals: “Some…

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Everywhere At Once multi-venue festival news

Fes­ti­vals tend to grab all the atten­tion over the sum­mer but our much-loved grass­roots venues need sup­port too! So this new ven­ture called Every­where At Once is the per­fect way to entice you back into some of our great venues for a gig. The umberel­la organ­i­sa­tions pre­sid­ing over it all is lead­ing char­i­ty Music Venue Trust…

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Jim Ghedi single ‘The Hungry Child’

Jim Ghedi’s new sin­gle called The Hun­gry Child has just been released on Basin Rock. A stark­ly bleak track, and more polit­i­cal than his pre­vi­ous work, Jim com­ments on the idea for The Hun­gry Child thus: “I want­ed to push the sound even more heav­ier, chaot­ic almost like cap­tur­ing the sound of destruc­tion, as things…

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