Gill Landry and Ian Felice at The Borderline

Gill Landry and Ian Felice at The Bor­der­line. The Bor­der­line used to be an endear­ing­ly scruffy lit­tle venue, not out of place amongst the shab­by streets around Soho. As devel­op­ment began in earnest, the base­ment venue became increas­ing­ly frag­ile look­ing so its smart over­haul in March this year is very wel­come, espe­cial­ly the cosy seating…

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No talking please, I’m listening to the band

I post­ed this in 2017 but its mes­sage sad­ly rings truer than ever. “This is a place for music lovers. If you want to talk to your friends when the bands are on, please use the oth­er bar.” The above sign is plas­tered promi­nent­ly on the venue door at The Trades in Heb­den Bridge, York­shire, one of…

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True Faith: Manchester Art Gallery

Joy Divi­sion and New Order have had a pro­found effect on the cre­ative arts, inspir­ing not only musi­cians but artists, writ­ers, illus­tra­tors and film mak­ers. Their visu­al lega­cy is now being doc­u­ment­ed in a new exhi­bi­tion open­ing in Man­ches­ter as part of the Man­ches­ter Inter­na­tion­al Fes­ti­val (MIF17). Tak­ing place at Man­ches­ter Art Gallery from 30th…

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Amber Arcades review: The Trades and The Finsbury

At the Heav­en­ly Week­ender at The Trades in Heb­den Bridge back in Jan­u­ary, Amber Arcades’ half-hour ear­ly evening set was the most engag­ing of the three days (young Hal­i­fax band The Orielles were the oth­er stand-out act). The focal pres­ence on stage is Amber Arcades’ mas­ter­mind, the very cool Annelotte De Graaf, vocal­ist, gui­tarist, song­writer. Amber Arcades…

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British Sea Power at Shepherd’s Bush Empire

You know you’re at a British Sea Pow­er gig when there’s some slight­ly weird stuff at the merch stall and the stage is full of foliage.  The band’s new March release Let The Dancers Inher­it the Par­ty has had pos­i­tive reac­tion from fans – it’s a tri­umphant, upbeat and play­ful col­lec­tion, designed to give us hope in these dark times,…

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Review: Julia Jacklin at The Louisiana

Julia Jack­lin stands on stage at The Louisiana in Bris­tol as motion­less as a stat­ue, clos­es her eyes and man­ages to hush the entire room. All eyes are upon her as she starts to sing. There is a mes­meris­ing qual­i­ty to her voice, some­thing about the rich, dreamy swoop­i­ness which suits the Australian’s alt– coun­try indie folk mate­r­i­al. Then there’s her abil­i­ty to…

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Steve Mason Alive! at the Barbican

It does­n’t sur­prise me that Steve Mason forged a last­ing con­nec­tion with Joe Dud­dell at Fes­ti­val No 6. Each year, a select­ed num­ber of main-stage artists col­lab­o­rate with Dud­dell and his ensem­ble, per­form­ing in the tiny Port­meiri­on Town Hall (queues for these are leg­endary, as only around 100 get access to the space). From what I’ve heard there isn’t much…

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The Orielles added to Heavenly Weekender at The Trades

Great news: young West York­shire three-piece The Orielles have just signed to Heav­en­ly record­ings. The band – Esme Hand Hal­ford on bass, sis­ter Sidonie on drums and Hen­ry Wade on gui­tar, are known for their lush garagey sun-drenched sound  – a Cal­i­forn­ian vibe by way of Hal­i­fax (the Cal­i­fax sound, per­haps). Since the band got togeth­er they’ve been gigging…

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Wolf People at Oslo, Hackney

As Fes­ti­val No 6 in Wales this sum­mer descend­ed into a major mud­bath after two days of bib­li­cal rain­fall, Wolf Peo­ple took to the stage late after­noon (above). They were cap­ti­vat­ing and the tur­moil of gui­tars suit­ed the inclement weath­er, but I decid­ed I’d enjoy them more some­time in the future, in the warmth, with dry clothes.…

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Lloyd Cole at Union Chapel review

I noticed that Lloyd Cole was sport­ing that slight­ly tricky sar­to­r­i­al trend, dou­ble den­im. Lat­er in the set, Cole made ref­er­ence to his out­fit. He relat­ed a sto­ry about a vis­it to Austin, Texas, where at a honky tonk bar he observed “much younger women danc­ing with old­er men… who all wore dou­ble den­im”. Much of Cole’s amus­ing onstage patter…

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