The End Festival 2015: opening weekend

The End Fes­ti­val is at the half-way mark, and so far it’s been an enjoy­able, if slight­ly chaot­ic, expe­ri­ence, with a dai­ly ros­ter of bands appear­ing at venues around Crouch End. Open­ing night at Earl Haig fea­tured Ice­landic out­fit YLJA (they are appear­ing twice more over the fes­ti­val’s dura­tion) and are notable for their crystalline…

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Review: Richard Hawley at The Roundhouse

Richard Haw­ley is on his best form yet, and deliv­ers a storm­ing crowd-pleas­er set: dense gui­tar dri­ven sound com­bined with beau­ti­ful bal­lads. I imag­ine that many oth­ers in last night’s audi­ence at The Round­house had, like me, put the final episode of Down­ton Abbey on ‘Record’. I’m indeed thank­ful for such tech­no­log­i­cal won­ders, because I would­n’t have missed this incredible…

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Review: Music of India at V&A Museum

The Vic­to­ria and Albert Muse­um is hold­ing a series of events to accom­pa­ny the huge India Fes­ti­val this autumn. Last night I attend­ed the Music of India con­cert, an event held in the sump­tu­ous Raphael Room, with a pro­gramme of two acts. The Rajasthani folk troupe, who closed the evening, also popped up in dif­fer­ent spots of the muse­um ear­li­er in…

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Review: Jane Weaver at Oslo

Set against a mus­cu­lar, dri­ving bassline and wall of dense synth/guitar, Weaver’s voice adds a spacey, ethe­re­al light­ness, the two ele­ments bal­anc­ing each oth­er, cre­at­ing almost vis­i­ble layers. 

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Breath[e]:LESS live performance, Bradford and Liverpool

Breath[e]:LESS is a new kind of performance/gig expe­ri­ence, and danc­ing is very much allowed. It might be dif­fi­cult not to, as it’s set to infec­tious elec­tron­ic music by composer/producer DJ Kwah (above). The per­for­mance is the brain­child of Tes­sa Gordziejko, for­mer­ly Cre­ative Direc­tor for the York­shire cul­tur­al Olympiad, a direc­tor and pro­duc­er who has built a rep­u­ta­tion for innovative…

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Review: Aidan Connell, Grio album launch

For blues gui­tarist Aidan Con­nell, the launch of his debut album Grio may be an impor­tant occa­sion, but his music career has­n’t exact­ly been short on sem­i­nal moments. Sea­sick Steve hailed him as “the only rock ’n’ roller in town”; he’s played with ven­er­at­ed Cal­i­for­nia band Mazzy Star after Dave Roback took note of the tal­ent­ed young­ster, and praise…

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Review: O’Connell & Love at the 100 Club, album launch

Minesweep­ing is Lar­ry Love’s new album, co-writ­ten with Bren­dan O’Con­nell. How unusu­al of Love to ded­i­cate an album to the prac­tice of mine removal, I thought (and the album does con­tain many sea­far­ing ref­er­ences). Inevitably Google led me to the more com­mon­place use of the word (not sure how I got to my age with­out know­ing this). Ah, now we’re on…

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The Felice Brothers play The Garage in Highbury

“I saw The Felice Broth­ers at the 100 Club, back in the day, with Simone Felice. They were amaz­ing. Lots of us got up and danced on stage with the band, it was a bit of a par­ty.” If that was a top Felice Broth­ers moment – expe­ri­enced not by me sad­ly, but by my com­pan­ion for tonight’s gig – this one at The…

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Lucy Wainwright Roche & Suzzy Roche, and Holly Lerski, at the Water Rats

The Water Rats, five min­utes’ walk from King’s Cross sta­tion, has under­gone a refur­bish­ment and now has a styl­ish and min­i­mal­ist inte­ri­or – but what the venue is to be con­grat­u­lat­ed over is its com­mit­ment to live music. The inti­mate music room, which is in the back room, has been sim­i­lar­ly upgrad­ed and offers a very welcoming…

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Summer in the city: festivals with urban appeal

Fes­ti­vals are going through big changes and the new­er breed of events are more often tak­ing place in the very cities we’re usu­al­ly so keen to escape from.The for­mu­la we’ve tra­di­tion­al­ly enjoyed, three days or so camped out in the fields of an oblig­ing farmer with enough bands and DJs to keep you hap­py, has shift­ed to encom­pass a new…

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