At the 02 Islington, Bowie’s long-standing guitarist Earl Slick and his assembled cast of musicians performed their fourth night of what so far has been a hugely successful run of his mini tour of Station to Station.

The band included Steve Norman from Spandau Ballet on guitar, saxophone and percussion (I saw Steve with Holy Holy in 2014). Also on guitar was Luis Correia, who used to play with the Absolute Bowie tribute act, plus Lisa Ronson on backing vocals and Earl Slick’s son on drums. The concerts were organised before Bowie passed away, and his death gave the performance a certain poignancy – but as Bernard Fowler said, we are here to celebrate a life, not mourn.

Bernard Fowler sings on stage

Station to Station began with that familiar build up, the steam train rumble leading into Earl Slick’s coruscating guitar and that thrilling and familiar riff.  There was a long, heavy intro till Bernard Fowler came on stage, and I did for a few seconds wonder how he would build on this, but from the Thin White Duke intro, it seemed that he was a natural fit. Fowler’s skill lay in his ability to interpret the material in his own way without completely losing Bowie’s spirit, he also managed to – just about – blend in with the other stage performers, although with his magnetic personality and strong stage presence this wasn’t an easy feat.

Wild is the Wind was particularly dramatic, Fowler starting with low key vocals in order to build the song effectively. After StoS the band launched into Diamond Dogs and a bluesy Jean Genie, after which followed a selection of numbers from Fowler’s latest album. We knew that Heroes would conclude the set and it was indeed a powerful version, with Earl Slick giving it his all. A truly wonderful night in which Earl Slick’s band of seasoned musicians communicated their love for Bowie and respect for his music, and it was a pleasure to hear this often-time overlooked album


Islington 02

April 29 2016




One thought on “Review: Earl Slick Station to Station

  1. A special evening indeed and just a small sample of Earl Slick’s 40 year contribution to DB’s music in the studio and on the road. Nice review, but no mention here of Stay licks, the heavenly Word On A Wing or the special appearance of David’s oldest friend and backup singing collaborator Geoff MacCormack (Warren Peace) and daughter for Golden Years. How about the surprise numbers, a soulful Win that reminded us through Fowler’s lightness of touch to revisit Young Americans album and a heartfelt nod to Earl’s work on The Next Day, in the perfect rendition of Valentine’s Day? Bernard Fowler’s incredible vocal range and emotional depth showcased why the Stones have insisted on his presence since the 1980’s. And the other songs played, they were a nod to Earl’s more recent work with legendary blues and Buddy Guy.

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