The End Festival 2015: opening weekend

The End Fes­ti­val is at the half-way mark, and so far it’s been an enjoy­able, if slight­ly chaot­ic, expe­ri­ence, with a dai­ly ros­ter of bands appear­ing at venues around Crouch End. Open­ing night at Earl Haig fea­tured Ice­landic out­fit YLJA (they are appear­ing twice more over the fes­ti­val’s dura­tion) and are notable for their crystalline…

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Review: Richard Hawley at The Roundhouse

Richard Haw­ley is on his best form yet, and deliv­ers a storm­ing crowd-pleas­er set: dense gui­tar dri­ven sound com­bined with beau­ti­ful bal­lads. I imag­ine that many oth­ers in last night’s audi­ence at The Round­house had, like me, put the final episode of Down­ton Abbey on ‘Record’. I’m indeed thank­ful for such tech­no­log­i­cal won­ders, because I would­n’t have missed this incredible…

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Review: Jane Weaver at Oslo

Set against a mus­cu­lar, dri­ving bassline and wall of dense synth/guitar, Weaver’s voice adds a spacey, ethe­re­al light­ness, the two ele­ments bal­anc­ing each oth­er, cre­at­ing almost vis­i­ble layers. 

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Review: Aidan Connell, Grio album launch

For blues gui­tarist Aidan Con­nell, the launch of his debut album Grio may be an impor­tant occa­sion, but his music career has­n’t exact­ly been short on sem­i­nal moments. Sea­sick Steve hailed him as “the only rock ’n’ roller in town”; he’s played with ven­er­at­ed Cal­i­for­nia band Mazzy Star after Dave Roback took note of the tal­ent­ed young­ster, and praise…

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Review: Festival Number 6 2015

Fes­ti­val Num­ber 6 feels as if it has ful­ly got into its stride. It offers a dizzy­ing array of intel­li­gent­ly-curat­ed events, from bands and DJs to com­e­dy, night­time pro­ces­sions, work­shops and talks, plus some­thing this fes­ti­val has come to excel in – inter­views and inti­mate per­for­mances by a hand­ful of the main-stage artists.

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Review: O’Connell & Love at the 100 Club, album launch

Minesweep­ing is Lar­ry Love’s new album, co-writ­ten with Bren­dan O’Con­nell. How unusu­al of Love to ded­i­cate an album to the prac­tice of mine removal, I thought (and the album does con­tain many sea­far­ing ref­er­ences). Inevitably Google led me to the more com­mon­place use of the word (not sure how I got to my age with­out know­ing this). Ah, now we’re on…

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Review: Ealing Blues Festival 2015

  With a rare glimpse of sun in a gloomy July, we head­ed to Eal­ing Blues Fes­ti­val held in Wal­pole Park, it’s one of a series of sum­mer fes­ti­vals run every year put on by Eal­ing Coun­cil. The event always resem­bles a ‘prop­er’ fes­ti­val in minia­ture, with a choice of two big music tents – the Main Stage,…

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The Felice Brothers play The Garage in Highbury

“I saw The Felice Broth­ers at the 100 Club, back in the day, with Simone Felice. They were amaz­ing. Lots of us got up and danced on stage with the band, it was a bit of a par­ty.” If that was a top Felice Broth­ers moment – expe­ri­enced not by me sad­ly, but by my com­pan­ion for tonight’s gig – this one at The…

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The Photographers’ Gallery, images of Manchester by Shirley Baker

Shirley Bak­er is only now being recog­nised as one of the most impor­tant female pho­tog­ra­phers and social doc­u­menters of the last cen­tu­ry. The haunt­ing and com­pelling 2007 doc­u­men­tary of Joy Divi­sion, direct­ed by Grant Gee, opens with a mon­tage of images of Man­ches­ter in the 70s. It depicts a time of sweep­ing changes after the post-war streets were sys­tem­at­i­cal­ly cleared…

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Lucy Wainwright Roche & Suzzy Roche, and Holly Lerski, at the Water Rats

The Water Rats, five min­utes’ walk from King’s Cross sta­tion, has under­gone a refur­bish­ment and now has a styl­ish and min­i­mal­ist inte­ri­or – but what the venue is to be con­grat­u­lat­ed over is its com­mit­ment to live music. The inti­mate music room, which is in the back room, has been sim­i­lar­ly upgrad­ed and offers a very welcoming…

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